Rupprecht Geiger, 799/98 - Frühes Rot b/98 (799/98 - Early Red b/98), (1998)

 

 

Rupprecht Geiger, 799/98 - Frühes Rot b/98 (799/98 - Early Red b/98), (1998)

 

 

Rupprecht Geiger, 799/98 - Frühes Rot b/98 (799/98 - Early Red b/98), (1998)

 

 

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Rupprecht Geiger
799/98 - Frühes Rot b/98 (799/98 - Early Red b/98), 1998

Acrylic on canvas

45 x 50 cm / framed 50 x 56 cm
17 x 19 inch / framed 19 x 22 inch

Signed, dated, titled on stretcher frame
"Geiger 799/98 Frühes Rot 90"
Cat. Rais. Dornacher/Geiger no. 782

- with craftman's frame -

N 9309

About the work

Painter, sculptor, architect, multiple-documenta participant and Professor for Painting at the State Academy of Art in Düsseldorf, Rupprecht Geiger ranks among the most acclaimed exponents of post-war German abstraction. Everything in his work revolves around colour and form, with the colour red commanding centre stage in his output since the 1950s. This enduring fascination traces back to a tube of lipstick, with which Geiger once drew a luminous line across one of his abstract pictures. "Red is life, energy, potency, power, love, warmth, and strength", stated the artist. "I cannot imagine a life without colour."
Red is Geiger's manifesto, his painterly programme. Never monotone or uniform, but rendered in an almost overwhelming variety of hues, shades and intensities, this colour dominates his work: spanning delicate pink or warm orange to effulgent pure red, strong pink and deep violet red, often in a flowing progression of subtle, nuanced transitions. Fluorescent luminous colours of intensive radiance exude a vibrating energy, pushing the boundaries of the viewer's optical faculties.
Serving as a counterpoint to this complex painterly organism is a rigorous, formal reduction, taken to its extreme. The essential elements of Geiger's creative output comprise the basic geometrical forms of the square, the rectangle and the circle. Here a monochrome square and circle serve to interrupt and structure the pulsating colours filling the canvas. Manifesting itself within this tense interplay   between a vibrant, colourful cosmos and an austere formal minimalism is an artistic oeuvre which ranks among the best in post-war German art.
(Doris Hansmann)

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Rupprecht Geiger, 799/98 - Frühes Rot b/98 (799/98 - Early Red b/98), 1998, 45 x 50 cm / framed 50 x 56 cm, N 9309
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